To start with, this is a little home-made "road movie" of Nena Daconte's El Aleph... the production values are a little lower, but then so were the production costs. It is full of incident though, and there is rather an abrupt ending... in fact it finishes before the song does
If you are busting to know how this stunning film was made, I blu-tacked the tiny pocket digital camera to the dashboard, turned up the in-car sound system ( or tape player as it is more commonly known) to all, and got going!
And while we are talking about cars, drive-time is a great opportunuty to listen to Spanish...as long as certain people aren't in the car with you...
I listen to all sorts of Spanish stuff in the car.... I've got Michel Thomas's stuff which I've put onto tapes, I've got lots of different GCSE/A level tapes such as Vaya and Al Tanto...
I've also taped selections from Retales de Carnaval ( Nena Daconte ) and Mala Rodriguez ( Malamarismo)... both brilliant CD's which are great for in-car Spanish + entertainment.
These are the only two really good Spanish CD's I've got because the ones I want are very expensive or not available... especially Vetusta Morla!
So...can any of you lot recommend any other things I should have which don't cost the earth?
For now, here's some music...
This is Love of Lesbian with a very basic version of Incendias de Nieve.... they do a bit of talking first, but then it's a terrific intimate song... I'm still so pleased that I have found people like these, and Vetusta Morla, Nena Daconte, Love of Lesbian, Zahara, Facto Delafe etc who make such beautiful music from the heart.....
Here's Nelly Furtado getting in a bit of Semaphore practice in her ( limited) spare time.
This is H actually... I wonder how they do alll those accents in semaphore ....
Of course. you need to learn to listen to and understand spoken, genuine Spanish as well... and of course there's loads of ways to do this...watching cartoons, soaps, news items, listening to songs, interviews etc...
The big plus with listening this way is that you can play the talk over and over... picking up more and more each time, getting the hang of all the word-merging that goes on, programming rapid unravelment of standard phrases...
Let's pick the last option for now, and watch a few interviews...
Here's one of Vetusta Morla talking to the camera...
Here's La Mala Rodriguez talking nineteen to the dozen...
Here she is talking more slowly, plus the English translation, which you can easily cover up if you want...
Here's Nelly Furtado chatting away...
Next up is Kim Fanlo and Nena Daconte.. this one is pretty hard I think..
My regular music spot is another, pleasurable, chance to listen to Spanish...
Here's the excellent Pol 3.14 and " lo que no ves"...
Here's the words from fuente:musica.com
Antes de que amaneciera, salí huyendo de tu cama. En tu espejo un testamento: “No nos queda nada”.
Deje tu barra de labios, y con ella un par de años. De quererte por las tardes, de mañanas sin llamarte.
Tú me enseñas que, se puede querer, lo que no ves.
Tropezamos de repente, como en un nuevo 11S. Sonreíste a quema ropa, contra el filo de mi boca.
Y susurraste que el pasado, solo es como un día malo. Y la lluvia abrió las puertas, de mi vida en tu Ford Fiesta.
Tú me enseñas que, se puede querer, lo que no ves.
No consigo recordar, porque motivo me fui, pero en tu cuarto de baño, sigue tu rojo de labios.
No consigo recordar, como he llegado hasta aquí, solo sé que estoy borrando, lo que un día te hizo daño.
Tú me enseñas que, se puede querer, lo que no ves.
Siempre fui poniendo parches, negando segundas partes. Hasta que me demostraste, que no quiero olvidarte.
Tú me enseñas que, se puede querer, lo que no ves.
No consigo recordar, porque motivo me fui, pero en tu cuarto de baño. sigue tu rojo de labios.
No consigo recordar, como he llegado hasta aquí, solo sé que estoy borrando, lo que un día te hizo daño.
Tú me enseñas que, se puede querer, lo que no ves.
No consigo recordar, porque motivo me fui, pero en tu cuarto de baño. sigue tu rojo de labios.
No consigo recordar, como he llegado hasta aquí, solo sé que estoy borrando, lo que un día te hizo daño.
Tú me enseñas que, se puede querer, lo que no ves.
Tú me enseñas que, se puede querer, lo que no ves.
All my regular readers will know how important music is to me... in every post I try to put in some interesting Spanish music. It's a lovely way to reinforce your language skills, pronunciation, vocabulary...everything, including your confidence.... more especially if you make an effort to learn the words and even to sing along. Great in the car!
When I started this blog it spurred me on to find some decent Spanish music... all I knew up to then was Shakira... and though it took a while and a lot of youtubing etc, I actually have found some brilliant stuff. I'm really pleased!
So, in this Christmas edition I want to pick out the outstanding music I have unearthed in a kind of festive fifty sort of way, but not actually 50 if you see what I mean.
But first, a special award for the weirdest video I found.... another chance now to watch Cola Jet Set in action... there's loads of fun to be had here, notably the drummer, the constatn clips of 'phones in case you weren't quite sure... the list goes on. it's just bloody ODD...
Before I go on to the main Top Ten,two more awards... I have a special award for BEST NEWCOMER... and you can probably guess it is going to be that Estrella Morente... here's a different thing of hers...tangos... she's back in that little family gathering (??) where they all just happen to be shit-hot flamenco guitarists and singers...
and this next one gets the award for the HAPPIEST VIDEO... even though the wprds are not entirely happy!... it's Nena Daconte and Ay! Amor...
RIGHT... now on to the main TOP TEN.. I suppose I should do them in reverse order to increase the tension, so at No. 10 it's Facto Delafe and El Indio.
How did he do that??
Right... No 9 goes to a left-field contender, Mala Rodriguez, and I could have chosen any of a number of great performances, but I picked Por la Noche...
At No. 8 I've picked one of the early discoveries I made, Como Yo Te Amo by Niños Mutantes... great video, great song...
Coming in at No 7 is a fine ,live, Vetusta Morla song, A Tientas. They were one of the first bands I found and liked... more from them later...
Just perfect!
Slipping into No 6 is a beautiful NenaDaconte song for which, up to now, I have not been able to show the full proper video.But, I think I have got it now... El Aleph...
A pretty perfect pop song there... gorgeous.
Into the top 5 now, and at No. 5 itself we have Santi Balmas and the wonderful Kim Fanlo with a touching acoustic performance of Domingo Astromantico...
and here's a sneaky extra, the same song done beautifully by Alize and zigoreto, apparently in a little office somewhere.
A song is anything that can walk by itself..
OK then, No. 4 is Love of Lesbian with the quiet, beautiful Universos Infinitos..
And at the all-important No. 3 spot, I have picked the clever, witty, acrobatic and moving Facto Delafe with Mar el poder del mar..
Smart cycling Facto me old mate. At No. 2 it will be the lovely Nena Daconte, the accomplished Joan Tena and the brilliant Cuando Mueren las malditas golondrinas... how I love this...
BUT at the coveted No. 1 spot I have chosen the song that made me realise that there was some incredible Spanish music out there if only I could find it. From Vetusta Morla, the remarkable Al Respirar....
Amazing song, beautiful video, passionate singing... what more can you ask for.
So, there is my Top Ten for the year ...what will next year bring? More brilliant ideas for learning Spanish, more odd sidelines about all things Spanish, more Spanish music.... keep tuning in.
Today I am tired ( I've had to do some work(!) and go to a very boring 2-hour meeting so I'm just sticking on a few pics and videos.
I've shown a couple of things by La Mala Rodriguez recently...here she is being interviewed, and then another of her songs, Por La Noche. I think this sort of stuff is really useful for learning Spanish.... because there is no "tune" to carry the thing, she has to make the words themselves get your attention.... using rhyme, rhythm, clever juxtapositions, assonance... and this makes them memorable amd enjoyable.
Also, this is much more "real" Spanish than you will get from many songs. Some time ago I asked you to come up with some hip-hop / rap in spanish ( preferably steering clear of the unfortunately prevalent macho posturing of so many performers in the field).... nothing has come up yet but I am still looking.
and this is her doing " Por la Noche" ... all her work is very socially aware and hard-hitting... quite understandably so I would say... but the medium she uses takes some getting used to.
Thanks to the musicstarx site for these lyrics.. they are different in places to what she actually sings on the video.... I shall look into it! [well, I've tried looking at other versions of the song, and it seems that various "chunks" of words get put in or left out... for example, if you scroll along the " choices" at the bottom of the screen once the video has ended you will find another version of "Por La Noche" performed by a whole selection of people... and they sing different bits... the "Total Fitness" section gets done for example. It seems the lyrics are "fluid." ]
Lyric of Por La Noche of the song Mala Rodríguez
Artist: Mala Rodríguez Album: Malamarismo (2007) Títle: Por La Noche
Sin reputación no hay respeto, Conozco esta zona, Esta mona no se anda por las ramas, Hablo claro, Consecuencias llegan, Si me necesitas, llama.
¿Por qué no?, apunto alto me lo guiso, apuesto, por la noche, Oyendo ruidos que hacen los animales y los coches, Hago piezas de coleccionistas y broche, Sin palabra no hay persona, Sin reputación no hay respeto, Conozco esta zona, Esta mona no se anda por las ramas, Hablo claro, Consecuencias llegan, Si me necesitas, llama.
Yo, mantengo el rap en Total Fitness, Escupo fuego y descongelo a Walt Disney, Intento hacer un clásico por cada actuación, Como los All Stars de los 80´, Con Magic y Moses Malone, La Macarena el contexto en que escribo, La Mala, esta en el bloque de al lao, El mismo barrio, los mismos motivos, Juaninacka, master de mc´s, Os lo brindamos, (¡Así!) En el 99´ ya nos juntamos, Hablo claro, Consecuencias llegan, Así me expreso, En bloques de palabras de 30 ó 40 segundos, La música es libre, blindar canciones ´es chungo, En dos días están en Internet, Y ya han dao la vuelta al mundo, Mi estilo es directo, Recto como un disparo, A veces lo mezclo y otras no, Y lo hago tó con pareados, Lanzo ideas que separan cuerpos a precio de costo, Y que luego vuelven como parejas cuando se acaba agosto,
Apunto alto me lo guiso, apuesto, por la noche, Oyendo ruidos que hacen los animales y los coches, Hago piezas de coleccionistas y broche, Sin palabra no hay persona, Sin reputación no hay respeto, Conozco esta zona, Esta mona no se anda por las ramas, Hablo claro, Consecuencias llegan, Si me necesitas, llama.
Es tu oportunidad, Conozco muchas leyes que se cumplen siempre como la de la gravedad, Es mi oportunidad se está muriendo el día, Voy a vaciar tu oído de palabras vacías, Porque mi historia está en las páginas que faltan del Génesis, Soy la Némesis de un rockero blanco de Tennessee, No existe el metro con el que me mido, Yo era underground, pero esa palabra dejó de tener sentido, Fuera del mundo y dentro de él, Quiero escaparme de dentro de este saco de piel, Llamado cuerpo, Parece que estoy cuerdo hasta que muerdo, Mi futuro es tu presente, el pasado me lo pierdo, No es fácil hacer que parezca tan sencillo, Ser blanco de mis rapeos, serás carne de estribillo, Las personas son como polillas, Buscan la luz para terminar girando alrededor de una bombilla.
Apunto alto me lo guiso, apuesto, por la noche, Oyendo ruidos que hacen los animales y los coches, Hago piezas de coleccionistas y broche, Sin palabra no hay persona, Sin reputación no hay respeto, Conozco esta zona, Esta mona no se anda por las ramas, Hablo claro, Consecuencias llegan, Si me necesitas, llama.
Quieres salir ahí fuera sin reputación y sin nombre, Piensas que es fácil, crees que lo hace cualquiera y cuestionas, Poco respondes, porque no hay sugestiones, Ni un simple ápice, Que ponga en duda nuestros trámites, Nuestras gestiones, nuestra fama, Tenemos que bregar pa hacerlo así, ¡Ey!, ¿Qué más quieres? Solemos renunciar a las vías fáciles, Los clichés, Hay huéspedes que infectan el juego con sus caprichos, Por dinero y hacen cálculos, perros en celo, Traigo espectáculo, A la mínima observan con los prismáticos, Cuando se oculta el Sol causando sensación, Te informo al son, Que sin palabras no hay persona, Y que en el micro pongo el dedo en el clic, son mis parámetros, no es broma, El brillo de un descuido se esfuma, Cuando circulas por el lucro, En esta empresa estamos tó en la bruma, Otro día más, la misma mierda, Capaz y Mala Rodríguez controlan, No estamos de oferta ¡Mira!
Today I missed out on getting the Spanish-language film Cronos from Film4. I check through the Radio Times every week looking for foreign films and missed this one... why? Because it was on around midday. In general I don't look there because 99% of the time film4 has duff old crap on at that time.... foreign stuff is usually late-night.
Bah.
Another ridiculous disaster occurred when I grabbed another Spanish film. LaAntena, from the TV. This proved less than wonderful because when I watched it, I found that it was virtually silent. and, by the way, in black-and-white too. This is not good for the language learner.
A quick whizz through the new radio times shows that there are at least 2 Spanish-language films on next week...
[a] At 11pm, Film4 Sunday 24th we have Pan's Labyrinth. [b] At 11 am (!!) Film4 Thursday 28th we get The Sea Inside.
I haven't checked all the other channels yet... but I will...watch this space.
Pan's Labyrinth is a very odd and very powerful, even scary film. It scared me. Here's the trailer and a review...
99 of 107 people found the following review helpful: 5.0 out of 5 stars Into the labyrinth, 25 Feb 2007 By E. A Solinas "ea_solinas" (MD USA) - See all my reviews (TOP 10 REVIEWER) (REAL NAME) This review is from: Pan's Labyrinth (Exclusive to Amazon.co.uk - Limited Edition Art Cards and Slipcase) [DVD] [2006] (DVD) If anyone wants to know where the dark, creepy fairy tales of old went, here's a hint: Guillermo del Toro is doing a pretty good job with the fairy tales for adults.
"Pan's Labyrinth" ("El Laberinto del Fauno") is a sequel of sorts to "The Devil's Backbone," a magical realism film about the Spanish Civil War. But this movie takes us deeper into a world that is half real, half ominous fairy tale, with a unique and imaginative story and some really excellent acting -- in short, a triumph.
Time and place: 1944, Spain. Ofelia (Ivana Baquero) and her very pregnant mother travel to meet her new stepfather, the brutal and murderous Captain Vidal (Sergi López). Ofelia loathes her new stepfather, but is transfixed by the eerie forests around them -- and one night she is visited by a fairy, and encounters a giant faun who tells her that she is Princess Moanna of the netherworld, and must return there.
To do so, he tells her that she must do three things, and gives her a strange book. Ofelia menages first task, but is frightened out of her wits by the second task, which involves a hideous monster with eyes in its hands. Even worse, her mother's pregnancy is getting more dangerous. As the guerillas and the fascists clash, Ofelia faces being trapped outside the netherworld forever...
Fairy tales have become cleaned-up and cutesy over time, so that children can read them without nightmares. But del Toro knows that the best fairy tales are the eerie, bizarre ones for adults, that are connected somehow to the real world. That is what makes "Pan's Labyrinth" so brilliantly dark and heartfelt.
Del Toro obviously crafted this with care, directing it in a dreamlike style and brilliant visuals. The eerie atmosphere of Ofelia's wanderings -- the delicate yet menacing faun, the chalk doors, the monuments, and the pasty nightmare with eyes in its palms -- is both a contrast and a parallel with the everyday world, which Ofelia hopes to escape.
At first, it seems like the post-Civil War and fairy tale stories don't mesh, until you see that the "real world" story is Ofelia's motivation to escape from all the fear, pain and sorrow. But Del Toro's biggest triumph is an ending that is beautifully bittersweet, and which turns out to hinge on Ofelia's newborn brother.
But del Toro's biggest triumph is in the instant connection we feel to Ofelia, with her love of the fantastical and her desire to go somewhere "safe." Baquero is absolutely wonderful in this, as a girl who isn't entirely of this world -- in her heart, she belongs somewhere beyond. And López is the ideal villain -- you spend the whole movie wanting to see him gruesomely killed.
Half "Mirrormask" and half gritty war story, "Pan's Labyrinth" is one of the best fantasy stories in years -- dark, passionate and beautifully made. Definitely a great movie.
Well... that's clear enough. it's dead cheap on Amazon as well.
As for The Sea Inside, I've no idea, but here is a video clip and a review... what a surprise..
14 February 2005 | by hall10000 (London) –
THE SEA INSIDE a film by Alejandro Amenabar.
Almodovar has always single handed the flag for Spanish cinema for years now, out of nowhere came Amenabar reinventing genres and injecting some new blood to the otherwise malfunctioning Spanish industry, now in a big gamble he switches from psychological terror to social drama, well the big ones would be, are audiences ready to embrace the swing and more important can he hold the flag? This is the story of Ramon Sampedro, a sailor that in his twenties was paralyzed from the neck down in an accident at the sea and his fight with the Spanish government for the right to end his life. The story has the traces of an afternoon made for TV melodrama and the only way this is going to work is through words and honest performances and they both come in spades. Mateo Gil and Amenabar co-write in a way where the audience is not meant to be lead blind to a death end but they are encouraged to make up their own minds in the process and that is a brilliant stroke, this is not a movie pro death but a movie in favour of the ultimate illusions of our time LIBERTY. There is a few laughs spare a long the way, like when the church comes home in a wheel chair to deconstruct Sampedro beliefs but is mostly a valley of tears through out, punches coming from all fronts even when you think you are safe his father that to that point didn't make any sense comes up with the most moving line of the entire movie. It is a heartbreaking experience specially when Sampedro seems more full of life than most the people wandering the streets and everyone around him tries to convince him of the wonders of life even those who are helping him to die… but when you strip a man of his dreams… The film is almost exclusively built on close ups bringing a claustrophobic feeling that makes the audience more sympathetic with Sampedro. That's for the actors a huge challenge that must construct their whole performances with their eyes and the eyes don't lie. Bardem was not granted his second Oscar nomination, probably in favour of Eastwood, but in my opinion he was the only one who could have shadowed Jammie Fox. This role reminds me of the great Gregory Peck in TO KILL A MOCKINGBIRD where the acting looked effortless and I reckon Bardem has reached that status where the line of what is acting and what is real has become completely blur. I was never fond of his early work but since Almodovar's LIVE FLESH he is on a roll, LOS LUNES AL SOL, THE DANCER UPSTAIRS and the Oscar nominated BEFORE THE NIGHT FALLS made him an international star and although he and Banderas come from the same Almodovar background is fascinating to see how different paths they took and how Bardem has now become a real reference for Spanish cinema in the whole world. A golden globe, 14 Goyas, jury prize at Venice and probably an Oscar with permission from THE CHORUS BOYS, Amenabar directs, co-write, edits and puts music to a high caliber drama, he has pull it off… what about some Science Fiction now? Whose life is it anyway?****.
Well. .. I tend not to like what I call "worthy" films but this might be worth a go.
Well, you can't say that you haven't been told. But now to lighter matters. I've not mentioned Nelly Furtado at all I think... but here she is with the hip-hopper La Mala Rodriguez in a rather witty/silly video for the song " Bajo otra Luz."
"Serious" rap artists like La Mala can often get flak from their fans when they do this sort of thing... it has happened to Diam's in France.Aren't serious people allowed to be less serious occasionally then?
And hey... loads of Gerunds in this... count them if you can.....
Thanks to the wonderful lybio ( LYBIO.net) site for these very detailed lyrics...
Qué pasa? Julieta aha Nelly aha La Mala yeah
[Nelly Furtado] Hay algo que va a suceder. Nose que es Se desprende toda sensacion que no puedo ver Será que el sol esta brillando distinto a lo acostumbrado En la mañana, esta mañana
Lo que antes me afectaba ya no me dice tanto Alguien quien alguna vez ame se ha ido borrando Sera la vida que se yo? Casualidad pense en mi voz Te fui llamando llamando
[Chorus] Sere yo o serás tú Todo esta tan diferente eres tú Sere yo o seras tú Todo parece puesto bajo otra luz
[Nelly Furtado] No supe qe es qe llegue a este momento Donde escucho el tono de tu voz y voy corriendo Será que estoy enamorandome sin querer Nose bien nose bien
[Chorus] Sere yo o serás tú Todo esta tan diferente eres tú Sere yo o seras tú Todo parece puesto bajo otra luz On LYBIO.net you can find - The Largest community of social networking with text-script-video blogging service. http://www.lybio.net
El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste
[La Mala] Nene puedo saltar al vacio Y liberarme de lo qe se supone que es mio Lo miro eternamente en un colchon mollidolo miro Sin reparar en la lucha que hiciste mal Bajo otra luz me encuentro Y es dificil de olvidarme De que vine pa quedarme Sin temor a enamorarme Y allegandome como semilla que busca calor
[Chorus] Sere yo o serás tú Todo esta tan diferente eres tú Sere yo o seras tú Todo parece puesto bajo otra luz
El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste
El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste El color de mi vida cambio desde que tu llegaste
Nelly Furtado – Bajo Otra Luz – Featuring – La Mala Rodriguez. No supe qe es qe llegue a este momento. Donde escucho el tono de tu voz y voy corriendo. Será que estoy enamorandome sin querer. Nose bien nose bien. Sere yo o serás tú. Todo esta tan diferente eres tú. Sere yo o seras tú. Todo parece puesto bajo otra luz Complete Full Text, Written Words, Reader, Lyrics, Song, Words And Text By Nelly Furtado – Bajo Otra Luz – Featuring – La Mala Rodriguez.
On LYBIO.net the Complete Collection Of Accurate Speeches, Text, Words, Quotes and Lyrics. http://www.lybio.net
The other day The Librarian ( my long-suffering wife) had to open up one of her places of work by herself due to staff shortages, so the dog and I went along as security. While I was noodling through the books I came upon a book called something like " Language Myths."
An excellent and thought-provoking read... covering lots of bases like ...are some languages intrinsically "harder" than others ?...... are some languages "primitive" in the pejorative sense ? ... do bilingual people benefit or lose by this ? etc.Are "loan-words" destroying languages ?
One section really struck me as especially interesting.
He is talking about language acquisition. He points out that for more or less all languages, the young people have learned all the grammar of the spoken language by ,say, 5 or 6-ish. Yes, that's ALL the grammar, whether we are talking about grammar-heavy languages like Polish, or so-called Grammar-lite languages like, say English or Swahili.
However.... they are very very far , at that age, from learning all the vocabulary. In fact, they go on learning new vocabulary throughout their lives.No native speaker of any language has ever learned the entire vocabulary..well, probably.
AND YET..... most language courses are heavily grammar-based.... this is his point.
It seems to me he means this as a criticism, but surely this is mimicking the child's development... grammar first with a smattering of vocabulary, then you can expand your vocabulary.
When you look at ,say, Spanish and French A-level text-books, there is very little new grammar in them... it's mostly about vocabulary acquisition ... by wide reading in lots of areas and in different registers.
There's loads of other interesting stuff in the book... well worth getting from your local library. I only had time to zap through a small slice of what is obviously a fascinating book.
You remember I was asking if there is any Spanish-language hip-hop or rap music which I might like, or more importantly which you might like. well, I've found " La Mala" [Mala Rodruigez] and this offering, Volvere... which seems "less bad" than most and might even be OK..
Lyric of Volveré of the song Mala Rodríguez ( from the lyrics site MusicstarX.net .. .thanks)
Artist: Mala Rodríguez Album: Malamarismo (2007) Títle: Volveré
Y en mis sueños juré… Y en mis sueños juré… Volveré a nacer… Volveré a nacer…
No quiero soldados, Quiero guerreros los he visto luchar. Que me muera con un deo` Hago lo que quiero. Puedo: Desnúdate y vístete de cuero; Hago que suene el sonajero. Sin zapatos ni sombrero: Os tengo muy vistos, Yo voy y cojo lo quiero, Derramando el tintero; ¡Volved a vuestros agujeros¡
El silencio os incomoda, Ser gay está de moda, Dime una postura nueva Que ya me las conozco todas La emperatriz te dá hora Nunca es tarde pa` aprender: Sí, cambiar es crecer -Definitivamente- El subconsciente sabe bien como cumplir Déjamelo a mí Que puedo con tó
No Soy Superman, soy la María, Hago grandes días, sí Ni por encima, ni por debajo Trabajar cuesta mucho trabajo En perfecta armonía Dile a este bajo que le harías Choca lo que crees que chocaría No te preocupes, déjaselo a la sintonía Hepatitis B en la casa Definiendo el siglo pasa, Estás en tu casa: Se te va a pasar la vida limpiando el salón Voy a pecar de saberlo tó` Por mi sangre te juro que lo regalo Alma de fado, yo no me enfado Eleva tu espíritu creyendo en mí Esto no se acaba aquí, yo: Mójate en el aguacero, esto es pasajero Como Como Empujamos Como Como Selo Agua espacándose metía entre los dedos Tu no podrías hablar sin decir ni pero..
Consigue soñar sin ese gotero de suero Yo soy el mundo entero Las medicinas, el frutero Mira que aquí ya no hay na mas que rascar Mujeres y hombres sinceros Empezó la batalla de los perros sin collar Que no van detrás de ningún cebo. Volar por volar…